My English writer friend and blogosphere buddy, April Munday (see her excellent blog site here: A Writer’s Perspective ) commented that she couldn’t quite visualize what the psaltery’s gig bag was going to look like, based on my previous photos of it. I replied that that was because I had made a major error in cutting it out! 😛
Luckily I do err, usually, on the big side, so I have had room to re-cut the pieces to more closely resemble the instrument the gig bag is being made for.
Here is what it looked like an hour ago. It has undergone some more refinements in shape since then!


You are mostly seeing the inside of the bag, the lining side. The patterned material will be the outside of the bag, and a lot of it is left over because I intend to make a flap with Velcro at the closure, which will sit at the top (the left side of the psaltery looking at the photos). Then I will attach a backstrap to the bag so that I can sling the bag over my head with psaltery inside, where it will rest easily on my back while I wander around the lanes of the Pennsic War. At least that is the plan and the hope! 🙂
The other side of the exterior fabric is just as nice as the side I elected to use for the main body. I will probably use that ‘second’ side for the pocket, and maybe the flap if I sew the flap on separately. Please excuse the blur–working with all these layers of heavy cloth has made my hands tired and my tremor more noticeable.
It will be awhile before my next update on this bag, because I will soon start to work on a couple of Viking smokkr, or apron dresses, which go over the basic Viking underdress. Here is a look at my first smokkr, which I made last summer. I will use it in part as a pattern for the next two, but with improvements.
Plus I have lightweight linen on the way to make two more underdresses that will be cool in the hot weather, both for Spring Coronation in May and at Pennsic in August. My first underdress is the blue one, above, and below, in a detail. Janet VanMeter helped me dye it from gray to a pretty, soft blue.
There is a funny, or maybe sad, story about the blue dress. As I was starting to apply the trim by hand to the neckline (also finished by hand), the thread of the neckline started fraying apart! Oh no! 😦 You can actually see the thread unraveling at the back of the neckline here.
I had to re-do the entire neckline, although the trim did help to hold it in place. Guess what the mystery cause was?
I was using thread that had belonged to my Mother and that was probably well over 50 years old! 😛
Now I’ve asked my friends to let me know if the seams in this dress are coming apart when I wear it at events. And I’ve gone through my thread collection and weeded out all the ancient thread. ❤
How curious that you just threw out your old threads and I have just bought some second-hand! I love the Sylko threads that my mum had – I’ve a few left, but they aren’t made anymore – and it occurred to me that I could get some old ones. I’m aware that old thread can disintegrate, but I’d rather redo the work than have to use cheap and horrid new thread with colours that just don’t ‘do it’ for me. 🙂
Your gig bag is coming along nicely, by the look of it!
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I know what you mean about the colors. I really hated throwing out some of the thread because of that, but for me redoing sewing just isn’t on. Sewing in the first place is very hard for my hands, and I’m also not very good at it! 😛
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You are so creative Timi. I more thing you are looking so nice in this pic and in your profile pic too. I love reading your posts.
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Thank you kindly! ❤
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That looks like it’s coming along well–good for you.
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Thanks! I have quite a while to finish it, but I do want to keep working on it, as my hands allow–it puts major wear and tear on them, and I do need to save them up for music! 🙂
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Isn’t it so wonderful that our hands can do things and yet can have limits? My half-feral cat bit me to the bone in three fingers a few years agao when I was trying to pur her in a carrier to move out of an apartment, and I wound up in the hospital a few days later with them huge and unusable. Since getting electrcouted the bones sometimes chip or fracture with the slightest wrong pressure, so any ideas for me of playing bass etc. are not practical, and doing bits of work around the house can make injury that didn’t seem to happen so easily er, forty-fifty years ago. Sometimes I can play a bit of keyboard, which is fun and cheers me up to know that my ear is pretty good. Good luck balancing between what is helpful for sewing and what is needed for music and the rest of life!
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I hope you will not take this the wrong way, but it does me good to hear your story. Some I think that I’m the only one with limitations, although of course I know that’s not true. But to have you share your own story really hits home, in a very personal and instructive way. Thank you, Donnalee!
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I’m glad. That’s why I talk about it online, since we all have big or little hardships and aging and getting cooked freaked me out as far as abilities and everything go. I figure that others have their own versiosn of life and I can learn from them about how they cope and all, and maybe they can learn from what I have done well or done badly too!
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Again, I really do appreciate your sharing. It makes one feel less isolated and less hard-up when you realize that you’re not alone in the boat! ❤
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Wow. You have thread from that long ago! Yes we can see how it might deteriorate. But the entire idea of having the gig bag to carry the Psaltery is good since it will be crowded and you’d be making distances in the ‘city’!
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I do want to be able to carry it around at Pennsic. And indeed there are some major distances to cover. Sometime before I go I will post a map of the site, showing where my group’s encampment will be. 🙂
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It looks less triangular than it did yesterday. I admire you for just cutting something out and making it work.
I also have my mother’s threads, although they’re not (quite) fifty years old. I’m not the seamstress she was, so they sit in the sewing box growing older.
Thank you for mentioning the blog 🙂
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I know what you mean about mothers. Mine was an excellent seamstress, tailor and costume designer (she made my red Elizabethan outfit, see me in it here: https://timitownsend51.me/2016/08/02/my-life-as-a-musician/), and could do everything else dealing with fiber arts. On top of that, she was a concert pianist in her youth, a major beauty, a happy wife and mother, a great teacher, and received her doctorate in Romance Languages at age 65, whereupon she embarked on a ten-year career as a university professor while caring for my disabled father. A hard act to follow, but my admiration and love for her knows no bounds (although she is no longer with us). ❤
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My goodness. She was very accomplished.
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She was indeed. I am not a patch on her.
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I’m sure you are.
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Very kind of you to say, April, but truthfully I do not measure up to my Mother on any imaginable scale. But is that so bad? I think it is rather wonderful to have had a parent who was so amazing (in the original sense of the word). A very aspirational role mode! ❤
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Mums should certainly inspire their daughters
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I don’t know many people who also have a psaltery! Is it a plucked psaltery? I have a bow one. Such a beautiful instrument!
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Mine is indeed a plucked psaltery. I’d love to see a photo of your bowed one, if you can figure out how to get it to me! ❤
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Google “22-string soprano roosebeck psaltery.” It’s not actually mine, but the photos look almost exactly like mine. 🙂
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Thanks, I will do that! I occasionally get Renaissance lute strings from them, although I mostly special-order them from a private luthier….
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I just looked–nice, indeed! I still can’t quite figure out how you do the bowing, though… 😛
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How do you bow the inner strings? It doesn’t look like the body of the psaltery is rounded at all…
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It’s not. I don’t know if I can explain it well. Basically you only bow on the outside. Each of the pegs that are down the sides have a string. Those pegs are spaced apart. You play on the small sections of string between each peg. Mine is right-handed, so the right side is equivalent to the white piano keys, and the left side is equivalent to black piano keys.
Did you understand that or did it just sound crazy? Haha
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I *think* I get it, Audra. 😛 But really the only way for me to understand would be to see it in person or maybe on YouTube. Could you please come visit me and bring your psaltery? ❤
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Haha. That depends on where you live. 😛 Here’s a good video: https://www.youtube.com/watch?v=sotvgwFm-MI
I don’t ever use two bows, though. I’m not that talented!
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Thanks, I’ll go take a look. Btw, I live in Ohio, USA. 😉
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Wow, that looks hard! 😛
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It’s not bad. 🙂
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Better you than me. I’ll stick with plucking! 😛
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I too have some really old reels of thread in my “sewing box” – they belonged to my grandmother, so some are probably about 70 years old! I’m no needlewoman, so they only get used unless I need to sew a button on. I keep them because of the amazing range of colours and because I like the old wooden spools they’re on.
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Yes, the colors of the old threads are nicer than the new ones.
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